【影片片名】:成人劇情鉅片~香水 PROFUMO [中文字幕]
【英文片名】:Perfume The Story Of A Murderer.
【影片又名】:ある人杀しの物語 / 殺手故事.
【影片大小】:1.60 GB
【影片時間】:02.21.26
【影片格式】: AVI 【DVD→轉制AVI】
【視頻尺寸】:1020X572 (清晰片)
【影片尺度】:三級
【影片演員】:達斯丁·霍夫曼, Dustin Hoffman, Ben Whishaw, Francesc Albiol, Gonzalo Cunill, Roger Salvany, Andres Herrera.
【檔案數目】:1個AVI+10個圖片群 (種子內有圖)
【語種發音】:英語發音. 簡體中文字幕.
【影片內容】:成人.古裝.情色.劇情. 謀殺.集團裸露. 等.
【影片片商】: CONSTANTIN FILM.
【內容附註】:片內不含任何礙眼浮水印.
【驗證碼】:658b2619318c86263e80bcebd77ae09cd1a5f853
【種子製作日】:2011-04-02
【種子期限】:完30種後5天內不定期補種 (3週後刪檔)
幕後影評:
【原著小說及情節】
本片改編自德國作家Patrick Suskind(帕特裡克·聚斯金德)暢銷國際的小說《Das Parfum-Die Geschichte eines Murders》(英譯Perfume: The Story of a Murderer,香水--一個殺手的故事)。原著小說自1985年出版以來,始終高居德國暢銷書排行榜的前十名,已被譯成包括中文在內的四十種文字;作者也因此成為德國近年來最受歡迎的作家。小說致力於引導讀者思考人性、理想、道德、價值觀及審美傾向等諸方面因素,是一部非常獨特的的作品。男主角格雷諾耶的偏執戀情最終宣告破滅,這是本片的要義所在,導演湯姆·提科威爾介紹道。「對於格雷諾耶來說這完全是自然的。起初,當他遇上他心儀的女子,他全身心地為之傾倒,但結果注定是要一敗塗地。這是這個故事的基本主題,人們很容易理解。這並不完全是一個幻想世界裡的怪人怪事,主人公意外地擁有奇異敏銳的嗅覺,這部電影從一開始就在講述一個男人的故事,他非常地孤僻,是傳統文學作品或者叫座影片中的某個人物,這使主人公的形象更加立體。這種孤獨的痛苦很容易引發觀眾的共鳴。
【不可能的改編】
斯坦利·庫布里克曾想改編原著小說,卻最終因覺得它無法被拍攝成電影而作罷。正是這樣一部小說,深深吸引著眾多製片人,其中也包括《Downfall》、《The Neverending Story》、《The Name of the Rose》等片的德國重量級製片人Bernd Eichinger,他長久以來一直夢想把它拍成電影,但小說作者Patrick Suskind是出了名的挑剔懷疑,很長一段時間都拒絕出售其電影改編權,直到2001年,Suskind終於決定把改編權交給Bernd Eichinger。全片拍攝的難點在於對於「香味」的表達,以及「嗅覺」怎樣演繹,使觀眾可以通過屏幕來體察,相對於電影來說文字閱讀可能更能體會。
Based on Patrick Suskind's novel about a serial killer who hunts victims with his superhuman sense of smell, Perfume: Story of a Murderer is a florid, grisly portrayal of this historical drama set in 18th century France. Jean-Baptiste Grunuis (Ben Whishaw) is born under his mother's table at the fish market, onto a pile of muddy fish guts, establishing from the beginning his repulsion for putrid scents. A childhood of neglect and, later, a job at a tannery, encourage Jean-Baptiste to develop his olfactory sense rather than his verbal skills, so that an opportunity to prove his worth to Parisian perfumist, Giuseppe Baldini (Dustin Hoffman), results in his immediate hire into a promising new career. His successes in perfume mixing are negated by a blinding obsession for capturing the sublime beauty of human soul, which in his twisted logic requires the killing of young women to reduce their body fats to essential oils for the ultimate, cannibalized eau de parfum. An omniscient narrator tells the story with much sympathy for Jean-Baptiste's perverted psychology, making it, often, too obvious that his need for love justifies his murderous desire to capture misguided sexual attractions in a vile. Continuous close-ups of Grunius's nose, countered by close-ups of the places and objects he smells, enhance the viewer's understanding of his sensitivity. Repeated comparisons are made between the killer and dogs who aid, then expose his sick experimentation. The settings are fascinating, especially Baldini's perfumery and some later scenes in enflorage factories outside Provence. Whishaw's and Hoffman's performances are both grand. But Perfume unnecessarily spells out Jean-Baptiste's psychosis, squelching any chance for metaphor. This is unfortunate, considering the story's paradoxical nature. As this crude hunter navigates his way through a world of utmost delicacy, one craves ambiguity rather than explanation.